LIVE CREATIONS
In Between Prayers
In Between Prayers premiered at STUK Leuven. It is a memory of fragments from another life. The piece explores the religious transitions in my family, where five of the six children in my mother’s Flemish household converted to Islam. Today, that faith lies behind them, but as the daughter of a Flemish mother and a Malian father with an Islamic background, I still carry that history with me.With the voices of my mother, my aunt, and myself, I bring pieces of that shared past to life an encounter between two worlds.
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2025
Voi(x)(e)
VOI(X)(E) is a performative piece that premiered as a work-in-progress in 2025 at Zinnema, Brussels. This first version was created during EOTO Playground, an intensive laboratory for stage creation within street dance culture.The piece brings together movement and sound in constant dialogue, breath becomes groove, groove becomes voice, and voice becomes rhythm. Starting from silence to high BPM house and raw hip-hop, VOI(X)(E) explores how chaos and stillness collide, how voices shape movement, and how rhythms create meaning.The work takes the audience into an intimate, sometimes confronting atmosphere where grimaces and physical tension highlight the absurdity of life and emotion.In 2025, VOI(X)(E) will be further developed and sharpened through WIPCOOP, with new eyes and ears to help the piece grow to its full potential.
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2025
Bare Feet
Bare Feet premiered at the Freestyle Lab Festival in 2024. ​
It is a solo performance combining dance, audio, and spoken word to explore both personal and universal struggles. The performance focuses on the experiences of a Black woman growing up in a predominantly white neighborhood, while also addressing the broader challenges people face as they mature. The piece examines identity, vulnerability, upbringing and relationships conveyed through movement and poetic expression.
It delves into the balance between strength and fragility, while highlighting the struggle to remain authentic in a world full of expectations
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2024
Réduction à la séduction
Réduction à La Séduction is a performative installation in which I combine textile, dance, and sound. I question the meaning of the skirt and its relationship to the woman’s body. The skirt becomes the soundscape for the performance, creating a new layer of meaning. Dance and sound hold equal weight, they move together, shifting how the skirt is seen, heard, and felt.​
2024
REDUCTION TO SEDUCTION
In my performative installation 'Réduction à La Séduction' I combine textiles with dance and sound. I question the meaning of the skirt as a concept and its relation to women.
The skirt creates the soundtrack for the performance and takes on a new meaning.
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2024